Tuesday, February 07, 2012

Remember Dilla


Got til It’s Gone (Janet Jackson), Didn’t Ya Know (Erykah Badu), Woo-Hah! (Busta Rhymes), the Light (Common). Any of these songs ring a bell. If so, chances are you have already been touched by the spirit of James Yancey aka J Dilla. Dilla was your favorite producer’s favorite producer. He was a shaman of the MP3. He was able to make old grooves into new grooves in a single bound. The Detroit native and founding member of the music collectives: Slum Village, The Ummah and Soulquarians, is responsible for some of the most intoxicatingly soulful and addictive beats ever created. He would have been 38 years old today.

I discovered Dilla through one of his beat tapes at a friend’s house one day. Mesmerized in an audio trance by a song that I now know as Light works. I looked up from my beat coma with a look on my face that resembled somebody suffering from severe bubble guts and with my neck snapping furiously I asked “Who the fuck is this, Yo? He looked at me incredulously as if I had a booger smeared in my mustache and simply said “This is JDilla” and from that day on the way I heard beats would never be the same again. My musical life changed and for the next few days, I searched for everything I could find Dilla related. I learned that he had released albums with Slum Village, several solo records, a collaborative album with Madlib titled Champion Sound and a ridiculous amount of innovatively produced beats created from sampled records. The man created an impressive body of work and I felt blessed but disappointed that I had not heard of him sooner.

You may be wondering why I dedicated an entire post to a deceased hip-hop producer. Number one: It is his birthday today. Number two: As an audio junkie and beat enthusiast, Dilla is a hero of mine just like Ronald Regan is a hero to conservatives and Donald Trump is a hero to stupid and Number three: It’s my blog and I can post whatever the hell I want. Nevertheless, technically, he mastered the arts of the vocal sample, beat selection and synths. His signature was unquantized drums---the procedure that makes rhythms perfectly regular and grooves unbelievably tight. If you hear a Dilla beat and your head does not bob or your shoulders do not roll, you just might be spiritless or possibly an alien. Sadly, Dilla is no longer walking amongst us. He passed away from Lupus on February 10, 2006 just three days after his 32nd birthday, but with tons of recorded material and posthumous releases, Dilla heads around the world will keep his legacy alive. So do yourself a favor and get some Dilla in your life, you will thank me later. In fact I am listening to his album “The Shining” as I write this and all I hear coming from my speakers is life because---Dilla Lives!


  1. Such talent he blessed us with in his short time here!!

  2. I haven't heard the name...but oddly enough I like slum village... lol

    idk..thanks for opening my eyes!

  3. I like The Light by Common but I had no idea who this guy was. Thanks for the info, Jason!

  4. Every one of his productions (at least those mentioned here) were very different & each bumpin' in its own way. That dictates how mad versatile he was. This was a cat who truly MATTERED in the biz.


  5. LMAO re: the Donald Trump line! It's true!

    Back to the subject at hand...heard the name a time or two, but never got much information about who he was. Thanks for sharing and I've heard some of his work, just didn't know it was his work.

    May he continue to R.I.P.

  6. Paying homage to one of the best to ever do it.

    Long live Dilla.